Scottish pianist Alasdair Beatson works prolifically as soloist and chamber musician. Performances during 2022 include numerous appearances at Wigmore Hall; as concerto soloist with Royal Northern Sinfonia; in chamber music alongside such colleagues as Alina Ibragimova, Steven Isserlis, Viktoria Mullova, Pieter Wispelwey, and as member of the Nash Ensemble.
Alasdair is renowned as a sincere musician and intrepid programmer. He champions a wide repertoire with particular areas of interest: Beethoven, Brahms, Mendelssohn, Schubert and Schumann; the solo and chamber music of Gabriel Fauré, Bartók and Janáçek; concertos of Bach, Bartók, Britten, Fauré, Hindemith, Messiaen and Mozart; and contemporary works, including the piano quintet of Thomas Adès, George Benjamin’s Shadowlines and Harrison Birtwistle’s Harrison’s Clocks. Future plans include the first performances of a new piano concerto, written for him by Helena Winkelman.
Recent recordings include a solo piano recital Aus Wien on Pentatone, featuring music of Schumann, Schoenberg, Ravel, Korngold and Schubert, and Schubert works for violin and fortepiano with Viktoria Mullova on Signum. These join a discography of solo and chamber recordings on BIS, Champs Hill, Chandos, Claves, Evil Penguin, Onyx, Pentatone and SOMM labels.
Alasdair teaches solo piano at Royal Birmingham Conservatoire, and regularly mentors for the London-based Chamber Studio. From 2012 to 2018 Alasdair was founder and artistic director of Musique à Marsac, and since 2019 is artistic director of the chamber music festival in Ernen, Switzerland.
"Highly sensitive playing of rare insight"
Classic FM Magazine
"A major Scottish musical figure"
The Glasgow Herald
The Sunday Times